La sequenza di Pasqua a 6 voci, compresa la strofa "Credendum est magis Marie veraci, quam Judeorum torbae fallaci", eliminata circa un secolo fa, composta da Franz Sale, compositore fiammingo, forse allievo di Lasso, sicuramente cantore sotto la direzione di Philippe de Monte presso la corte a Praga negli anni '90 del '500.

A differenza di altri compositori, nella sua versione Sale utilizza la strofa "Dic nobis Maria, quid vidisti in via?" in forma di ritornello, affidandone l'esecuzione al coro a 4 voci (ATQB), e le risposte a questa domanda al trio di voci acute, due discanti e un quinto, per riunire finalmente le 6 voci nelle ultime strofe.

Easter Sequence "Victimae paschali" as composed by Franz Sale for 6 voices. Sale was a late Renaissance singer and composer from Belgium (but active in Stuttgart and Prague); he probably was one of Lasso's pupils, and he certainly was appointed as tenor under Philippe de Monte's direction at the end of the 16th century.

In his version of this sequence he actually uses the 6 voices as a double choir: ATQB and DDQ, the 4-voices repeating "Dic nobis Maria" as a refrain, the high voices answering with different stanzas. Of course the stanza "Credendum est magis", is kept: it was cancelled only at the beginning of the 20th century. Transcription by Guido Menestrina, available in modern clefs.